My practice is rebellious against systems, structures and formulas; it is adventuring through space, made up of ephemeral assemblages, of fragments, deheated materials, suspended, hung and taped into place. I work like I dream, performing slippage between shapes and words, painting in washes and cutting my lines all over again, continuously wondering how one thing can transform into another, how words are implied and what shapes stand for. My assemblages are elusive and indecipherable, as if codes were fading in them.
Revue Ingmar, Subterranea, Camille Azaïs, galerie Florence Loewy, 2018
"What is a work of art, if not a constant negociation with colour, shapes, matter and meaning? If not a precarious line of time, passing from one frame to antoher through the artist? What does it mean to draw the first line? Lucille Uhlric’s three dimensional collage emerges temporarily from the chaos of various found and handmade materials. For Subterranea, they become seeds captures between the airs and the dark frame of an opened ground."